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Funnybooks is the story of the most popular American comic books of the 1940's and 1950's, those published under the Dell label. For a time, "Dell Comics Are Good Comics" was more than a slogan-it was a simple statement of fact. Many of the stories written and drawn by people like Carl Barks (Donald Duck, Uncle Scrooge), John Stanley (Little Lulu), and Walt Kelly (Pogo) repay reading and rereading by educated adults even today, decades after they were published as disposable entertainment for children. Such triumphs were improbable, to say the least, because midcentury comics were so widely dismissed as trash by angry parents, indignant librarians, and even many of the people who published them. It was all but miraculous that a few great cartoonists were able to look past that nearly universal scorn and grasp the artistic potential of their medium. With clarity and enthusiasm, Barrier explains what made the best stories in the Dell comic books so special. He deftly turns a complex and detailed history into an expressive narrative sure to appeal to an audience beyond scholars and historians.
82-931 --- 76 <73> --- Stripverhaal --- Grafische kunsten. Grafiek. Prentkunst--Verenigde Staten van Amerika. VSA. USA --- 76 <73> Grafische kunsten. Grafiek. Prentkunst--Verenigde Staten van Amerika. VSA. USA --- 82-931 Stripverhaal --- Comic books, strips, etc. --- United States --- History and criticism --- History and criticism. --- Drawing --- Literature --- United States of America --- beeldverhalen --- 20th century comic books. --- american comics. --- animation graphic design. --- art. --- artistic potential. --- artists. --- business history. --- business. --- carl barks. --- cartoonists. --- comic book history. --- comic books. --- comic history. --- comic studies. --- comics. --- dell comics. --- disney. --- donald duck. --- entertainment industry. --- enthusiasm. --- john stanley. --- literary criticism. --- literary. --- little lulu. --- midcentury comics. --- pogo. --- retrospective. --- uncle scrooge. --- walt kelly.
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Altijd en overal, en in alle vormen van kunst en entertainment, zijn er dingen die niet mogen. Presidenten, pastoors, politici, politiemannen en puriteinen, allemaal blijken ze wel eens lange tenen te hebben en proberen ze dingen te verbieden. In de wereld van het beeldverhaal is dat niet anders. Meer dan vijftig jaar lang boog strippionier Jan Smet zich over stripcensuur. In dit boek, te beschouwen als zijn levenswerk, behandelt hij bekende, soms zeer gemediatiseerde zaken, maar heeft evenveel aandacht voor ondergesneeuwde of vergeten vormen van censuur. Hij gaat van Europa naar de Verenigde Staten en terug, en belandt onderweg op onverwachte plaatsen. Daarmee biedt dit boek een soms trieste, soms verbijsterende, dan weer geestige of verbazingwekkende schaduwgeschiedenis van het beeldverhaal, met een bijzondere focus op wat allemaal niet mocht.
741.5 --- stripgeschiedenis --- beeldverhaal --- twintigste eeuw --- eenentwintigste eeuw --- graphic novels --- kunst --- 741.53 --- strips --- tekenkunst --- Book history --- Graphic arts --- censorship --- comics [documents] --- 82-931 --- 098.1 --- 351.751 --- 351.751 Mediarecht. Vrijwaren van de vrijheid van denken, van de persvrijheid. Censuur. Filmcensuur. Reclamerecht--(Fundamentele vrijheden in de grondwet zie {342.732}) --- Mediarecht. Vrijwaren van de vrijheid van denken, van de persvrijheid. Censuur. Filmcensuur. Reclamerecht--(Fundamentele vrijheden in de grondwet zie {342.732}) --- 098.1 Verboden boeken --- Verboden boeken --- 82-931 Stripverhaal --- Stripverhaal --- Drawing --- Literature --- History --- geschiedenis --- beeldverhalen
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